法制与法治

In this era, many artists with the flavor of the times and distinctive personal style have emerged. They take the inheritance and development of Chinese excellent traditional culture as their own responsibility, make continuous efforts and innovations, take a comprehensive view of ancient and modern times, integrate China and the west, make Chinese calligraphy and painting art take on a new look, and gradually push Chinese art to the peak of world art. In order to explore

and display the style and excellent works of contemporary artists, we specially recommend large-scale activities of artists to show the style of contemporary artists to the whole country and the public.

高岩(原名高占国)，1954 年生于河北省元氏县高家庄。1974 年入伍新疆，自幼酷爱金石书画，兼擅摄影，中国书画函授大学学历。现为中国美术家协会会员，国家一级美术师，中国国画家协会会员，中国水墨画研究院研究员，中国国宾礼艺术家、法国国立高等美术学院客座教授、河北省新闻图片社 特约摄影员，石家庄竹石轩书画院院长。作品多次参加国内外书画大赛，并荣获优秀奖、金奖、一等奖、特等奖、入编多部书画作品集。2015 年 9 月作品经中华人民共和国文化部严格筛选审定，授予“中国当代著名书画艺术名家”荣誉称号。 2015 年 11 月作品经中国书法家协会、中国美术家协会及文化部评估研究，授予“华人艺术大师”荣誉称号。

2018 年 7 月荣获国家非物质文化艺术传承奖“金奖”，并被授予“国家非物质文化艺术传承人荣誉称号”。2018 年 9 月特授予“世界非物质文化遗产功勋奖”并授予“世界非物质文化遗产传承人”荣誉称号。

2019 年由北京林都书画研究院、中国艺术博物馆、中国书法家协会、中国美术家协会、世界文艺家联合会共同策划编辑，岁月如歌

《中国当代书画泰斗七大家》大型书画艺术特刊，为祖国 70 华诞献礼(入编《中国当代书画泰斗七大家》分别是：沈鹏、苏士澍、范迪安、何奇耶徒、吴为山、闫平、高岩)。

2020 年荣获“国际文艺巅峰成就奖”授予“世界当代十大顶级文艺大师”荣誉称号，并特邀入编《文艺之巅—世界当代文艺大师典藏》国际大型文艺巨著。

2020 年被选入艺术福布斯《世界艺坛标榜人物》第一版。

2021 年 2 月经中国管理科学研究院、教育科学研究所学术委员会专家组评审，教育发展研究中心审批《高岩画竹》课题荣获“教育科研成果一等奖”。

2021 年水墨丹青文化研究院，出版热烈庆祝中国共产党建党 100周年《高岩作品》专刊。

2021 年 2 月获得“联合国艺术终身成就奖”，并授予“世界艺术功勋人物”和“联合国文化艺术勋章”荣誉称号。

2021 年，中国科学文献出版社，出版孙晓雲主席与高岩书画合集《中国百年巨匠》。

2022 年 4 月华夏文艺出版集团出版，范迪安、孙晓云、高岩《中国当代书画领军泰斗三人集》。

2022 年 4 月中国文化出版社出版，高岩作品专集《中国权威收藏书籍、中国艺术品软黄金》。

Gaoyan (formerly known as gaozhanguo) was born in gaojiazhuang, Yuanshi County, Hebei Province in 1954. He joined the army in Xinjiang in 1974. He loved epigraphy and painting and was good at photography. He received a correspondence

university degree in Chinese painting and calligraphy. He is now a member of China Artists Association, a national first-class artist, a member of China National Artists Association, a researcher of China ink painting Research Institute, a Chinese state guest ceremony artist, a visiting professor of the French National Academy of fine arts, a special photographer of Hebei news and photo agency, and the president of Shijiazhuang zhushixuan painting and Calligraphy Institute. His works have participated in painting and calligraphy competitions at home and abroad for many times, and won the Excellence Award, Gold Award, first prize and special prize, and have been included in many collections of painting and calligraphy works. In September, 2015, the work was strictly screened and approved by the Ministry of culture of the people's Republic of China, and was awarded the honorary title of "famous contemporary Chinese painting and calligraphy artist". In november2015, the work was evaluated and studied by the Chinese Calligrapher Association, the Chinese Artists Association and the Ministry of culture, and was awarded the honorary title of "Chinese art master".

In july2018, it won the "Gold Award" of the national intangible culture and Art Heritage Award and was awarded the

"honorary title of the national intangible culture and art heritage". In September, 2018, the "merit award of world intangible cultural heritage" and the honorary title of "inheritor of world intangible cultural heritage" were awarded.

In 2019, it was jointly planned and edited by Beijing Lindu painting and Calligraphy Research Institute, China Art Museum, China Calligrapher Association, China Artists Association and the World Federation of artists and artists. The large-scale painting and calligraphy art special issue of "the seven masters of contemporary Chinese painting and calligraphy" was like a song of years, presenting a gift for the 70th birthday of the motherland (the seven masters of contemporary Chinese painting and calligraphy included in the compilation were: Shen Peng, Su Shishu, fandean, he qiyatu, wuweishan, Yan Ping and Gao Yan).

In 2020, it won the "international peak achievement award of literature and art" and was awarded the honorary title of "top ten contemporary literary and art masters in the world", and was specially invited to compile the international large-scale literary and art masterpiece "top of literature and art - collection of contemporary literary and art masters in

the world".

In 2020, he was selected into the first edition of the world's art flaunting figures by art Forbes.

In February, 2021, after being reviewed by the expert group of the academic committee of the Chinese Academy of Management Sciences and the Institute of Educational Sciences, the subject of "high rock bamboo" was approved by the education development research center and won the "first prize for educational and scientific research achievements".

In 2021, the ink painting and painting Culture Research Institute published the special issue Gao Yan's works, which warmly celebrated the 100th anniversary of the founding of the Communist Party of China.

In February, 2021, it won the "United Nations Lifetime Achievement Award for art" and was awarded the honorary titles of "world art meritorious figure" and "United Nations Medal for culture and art".

In 2021, China Scientific Literature Publishing House published a collection of paintings and calligraphy by Chairman sunxiaoyun and Gao Yan, a century old master of China.

In April, 2022, Huaxia literature and Art Publishing Group published the collection of three leading figures in

Contemporary Chinese painting and calligraphy by fandean, sunxiaoyun and Gao Yan.

In April, 2022, China Culture Press published Gao Yan's monograph "China's authoritative collection of books and soft gold of Chinese art".

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传东坡板桥之功 立时代竹题上品

​一记著名画家高岩

竹子是传统文化的重要物象载体，历代画竹写意清虚，亦作风骨。

竹文化古今永传，宋有东坡画红竹，清有板桥作瘦竹。当代著名画家高岩先生，既可以丹笔画红竹，也可以骨法写瘦竹，传统法度精益求精，然后师而不拘，用笔墨当随时代的创新精神，开创时代风竹的新天地，成为当代画竹第一笔!

高岩先生的竹画作品，非常强调专业品质。画法正宗是谓画，画竹无法是涂。高岩先生画竹，骨法用笔的意识特别强，实践也相当扎实! 这得益于先生有不俗的书法修养作根基，可以以书入画! 执笔勾勒，一气呵成，长线无碍，功取滑健。短线顿挫，交待清楚。他画竹把中国画依线造型的本质表现得无以复加，所以骨法写竹最有刚柔相济的精气神。形神兼备，应物象形，尤贵于神!

竹寓君子恰如其质! 画里是技法的精湛，画外则是竹意典雅的儒学精神、竹意虚空的禅理要妙、竹意天人合一的道家玄机。从这个角度来看，高岩先生画竹，真正画出了文化品位，画出了人文高度! 专业品质与文化精神融为一体，让他的竹画在专业层面无可挑剔，在文化传播层面则有雅俗共赏的众誉口碑!

水墨写竹，极善用水!善用水者，画风竹逸遂心应手，所以观赏高岩先生的风竹作品，水墨被铺陈得天质自然。浓淡干湿，层次分明。苍而润，卓而逸。既有笔墨如剑的快利，也有笔墨飞仪的丰神。纯粹的水墨审美意象，让画面在高低相迎，虚实相映的竹叶塑造下，生成

了耐于品味的空间格局！简作墨叶，拟万物姿态，有龙腾之势，有凤徊之意，竹叶万般变化，无限意象，让人看得赏心悦目。

高岩先生有超强的写生积累，视觉经验相当丰富，不但可以写竹之意，也可以工笔作竹之形神!青竹工画，惟妙惟肖，衬以山水，如诗如赋。写生画实竹，不但可以掠物象之体貌，也可以夺物象之精神，画非匠工，尽见神通! 唯有外师造化，方可以这般中得心源! 挂一件这样的竹画在雅舍，必然陶冶身心，醉享上品！这就是他的竹画可以装饰万家屏障，带有鲜明的文化传播价值的重要原因。

传东坡板桥之功，立时代竹题上品。其画法源于古法，但绝不会拘泥于东坡竹。板桥竹里作画奴，而是有我笔画我心，我手画我竹的自主个性，画出了风格独具的“高家竹”。有写意竹，有工笔竹，还有借助金石法度而作的拓印竹，铿锵精神，统摄人心，这也是笔墨当随时代的独家表达！其竹画与前贤竹画三位一体，可以拱立竹题大鼎，为竹文化的传承与创新确立时代功勋!

著名书画评论家 罗成

2021 年 2 月 9 日

It is said that Dongpo Banqiao is the best bamboo bridge of the times

A famous painter Gao Yan

Bamboo is an important image carrier of traditional culture.

Bamboo paintings in the past dynasties are free and clear, also

known as character. Bamboo culture has been passed down from ancient times to modern times. In Song Dynasty, there were red bamboos painted on Dongpo and thin bamboos painted on Banqiao in Qing Dynasty. Mr. Gaoyan, a famous contemporary painter, can draw red bamboo with Dan brush, or thin bamboo with bone technique. The traditional method keeps improving, and then he can use pen and ink as the innovative spirit of the times, creating a Xintiandi of bamboo with the style of the times and becoming the first contemporary bamboo painting!

Mr. Gaoyan's bamboo paintings emphasize professional quality. Authentic painting is called painting. Painting bamboo cannot be painted. Mr. Gaoyan has a strong sense of using a pen for bone painting, and his practice is quite solid! This is due to the fact that Mr. Li has a good calligraphy culture as the foundation, and can use calligraphy in painting! Write a sketch in one go. The long line is smooth and smooth. Short term setbacks and clear explanations. His bamboo painting shows the essence of Chinese painting according to the line shape, so the bony bamboo painting has the essence of combining hardness and softness. It has both form and spirit. It should be pictorial. It is more valuable than God!

A gentleman is like a bamboo! Inside the painting are

exquisite techniques, while outside the painting are the elegant Confucian spirit of bamboo, the subtle Zen theory of bamboo and the Taoist mystery of the unity of heaven and man. From this point of view, Mr. Gao Yan's bamboo painting really shows cultural taste and humanistic height! The combination of professional quality and cultural spirit makes his bamboo paintings impeccable at the professional level, and has a reputation of both refined and popular tastes at the cultural communication level!

Writing bamboo with ink is very good at using water! Those who make good use of water can easily draw wind and bamboo. Therefore, when viewing Mr. Gaoyan's wind and bamboo works, the ink painting is laid out naturally. Light and dry, with distinct layers. Green and moist, Zhuo and Yi. There are not only the quickness of pen and ink like a sword, but also the abundance of pen and ink. The pure aesthetic image of ink painting has created a spatial pattern that is resistant to taste under the shape of bamboo leaves that meet high and low and reflect reality and reality! The ink leaf is simplified to imitate the posture of all things. It has the potential of a dragon and the meaning of a phoenix wandering. The bamboo leaves change in all ways and have infinite images, which make people feel pleasant

to see.

Mr. Gaoyan has a strong accumulation of sketching from life and has rich visual experience. He can not only write the meaning of bamboo, but also make the shape and spirit of bamboo with fine brushwork! Green bamboo industrial paintings are lifelike, lined with mountains and rivers, like poems and Fu. Painting real bamboo from life can not only capture the physical appearance of the objects, but also the spirit of the objects. Painting is not a craftsman, and you can see the magic power! Only external masters can get the heart source like this! Hanging such a bamboo painting in an elegant house will certainly edify the body and mind and enjoy the best! This is an important reason why his bamboo paintings can decorate the barrier of thousands of families and have distinct cultural transmission value.

It is said that Dongpo Banqiao is the best bamboo bridge of the times. The painting method is derived from the ancient method, but it will never stick to the Dongpo bamboo. Banqiao bamboo is a slave of painting, but it has my own independent personality of drawing my own bamboo with my own strokes and my own heart. I have drawn a unique style of "Gaojia bamboo". There are freehand brushwork bamboo, fine brushwork bamboo, and

rubbings made with the help of the golden stone method. The sonorous spirit dominates the hearts of the people. This is also the exclusive expression of pen and ink when it changes with the times! The trinity of bamboo painting and bamboo painting of former sages can erect a bamboo tripod, and establish the meritorious service of the times for the inheritance and innovation of bamboo culture!

Luo Cheng, a famous painting and calligraphy critic

February 9, 2021

高岩题画竹

—六

竹竿挺拔冲云霄，  竹画双勾独一法，阴阳远近乃自然。  先画左线右线随。粗细并排休并节，  竿枝小叶分内外，竿节中长上下短。   叶前枝后且区分。

二七

竹节留白切忌宽，  晴竹人字叶上仰，银钩拦腰带珠联。  细枝嫩叶显精神。乙字玉匕节常用，  枝叶自然出尖利，枝节便点螳螂眼。   人重人字鹊爪分。

三八

竹枝偃月扬势气，雨竹燕尾引分字，

枝条间节鹊爪按。  顶梢落雁出娥眉。内外出枝分左右，  浓淡干湿留活眼，疏密结合章法严。   枝叶低覆也重人。

四九

竹叶变化分四季，  风竹一川枝借雨，春来上仰叶头尖。  叶随竿枝上下欢。夏雨常见低头叶，  弯枝折叶顺风去，秋风冬雪多样变。   形体多变法度宽。

五十

竹笋出土阳刚气，  雪竹个字梢常见，笋体包皮分浓淡。  介字连川雪下边。细笋长鞭圣气昂，  竿挺叶直不变色，粗笋力劲冲上天。   鹅毛素裹装更艳。

High rock painted bamboo One

The bamboo pole soars to the sky,

The distance between yin and Yang is nature.

Thickness and thickness are arranged side by side,

The rod section is medium long and short from top to bottom.

Two

Do not leave a wide gap in the bamboo section,

Silver hook belt bead couplet.

The "B" jade dagger is commonly used, The branch points the mantis eye.

Three

The bamboo branches and the waning moon raise their momentum, Magpie claws press between branches.

The inner and outer branches are divided into left and right, Density combined with strict rules.

Four

Bamboo leaves change in four seasons, Spring comes and leaves tip upward.

Summer rain often bows its head, Autumn wind and winter snow vary.

Five

The masculinity of bamboo shoots,

The foreskin of bamboo shoots is thick and thin.

The slender bamboo shoots and long whip are full of noble spirit,

The thick bamboo shoots soared to the sky.

Six

The unique method of bamboo painting with double hooks, First draw the left line and then the right line.

The culm branches and leaflets are divided into inner and outer parts,

Leaves anterior and branches posterior and distinguished.

Seven

Clear bamboo herringbone leaves rise, Twigs and leaves show spirit.

The branches and leaves are naturally sharp, People value herringbone and magpie claws.

Eight

Rain bamboo swallow tail quotation character,

At the top of the tip, the wild geese come out with their eyebrows.

Light, dry and wet to keep eyes alive, The branches and leaves are low and heavy.

Nine

Wind, bamboo and Sichuan branches borrow rain, The leaves go up and down with the poles and branches.

Twigs and leaves bend and go with the wind, The shape is changeable and the method is wide.

Ten

The character tip of snow bamboo is common, The word "Jie" connects the snow in Sichuan.

The pole leaves are straight and do not change color, Goose feather is more colorful.

在中国传统文化中，竹子有着不一般的含义。竹子四季常青象征着顽强的生命、青春永驻；竹子空心代表虚怀若谷的品格；其枝弯而不折，是柔中有刚的做人原则；生而有节、竹节必露则是高风亮节的象征。诗人画家以及大众常常用竹来寄托自己的情感或以竹的品质为自己品格的发展方向。

高岩先生画竹，运笔用墨挥洒自如，竹叶的安排错落有致，落墨即成，不见复笔，表现出竹的无限生机，浓淡相映、妙趣横生。把竹子的神韵与气节表现得淋漓尽致。先生画的竹子绿得像一块无瑕的翡翠，数株竹子迎风生长，生机蓬勃，意趣横生。竹叶繁而不乱，简而不疏，脱尽时习，秀劲绝伦。用色浓淡不一，给人一种动态的生命之美，看上去总有一种在风雨中茁壮成长的感觉。不仅有完美的艺术形式，而且有丰富而深刻的思想内容。

作画如修心，画竹如画人。要知道，大凡画竹的人，都是那种不事张扬，喜欢默默做自己该做的事的人，有竹子的高风亮节，有竹子清洁自律，有竹子的铮铮铁骨，宁折不弯。可见在高岩先生身上能深深地感受到一身竹性。

高岩先生的竹子山水画青翠挺拔极具艺术气息，不管是用作装饰家居，还是用作收藏送礼，都是极佳的选择！

——中国书画点评家 桑干

In Chinese traditional culture, bamboo has an unusual

meaning. Bamboo is evergreen all the year round, symbolizing tenacious life and eternal youth; Bamboo hollow represents the character of being open-minded; It is the principle of being a man with hardness in softness to bend its branches without bending them; Born with integrity and exposed bamboo joints are symbols of high moral integrity. Poets, painters and the public often use bamboo to express their feelings or take the quality of bamboo as the development direction of their character.

Mr. Gaoyan paints bamboos with his brush and ink freely. The arrangement of bamboo leaves is well arranged, and the ink is just finished. There is no repetition of the brush, showing the infinite vitality of bamboos. The light and the light reflect each other and are full of fun. Express the charm and integrity of bamboo incisively and vividly. Mr. Zhang's bamboo is as green as an impeccable emerald. Several bamboos grow in the wind, full of vitality and interest. The bamboo leaves are numerous but not disorderly, simple but not sparse. They are learned from time to time and show unparalleled strength. The colors are used in different shades, giving people a dynamic beauty of life. It seems that there is always a feeling of thriving in the wind and rain. It not only has perfect art form, but also has rich and profound ideological content.

Painting is like cultivating one's mind and painting bamboo is like painting a person. You know, most people who paint bamboo are those who don't make public and like to do what they should do silently. They have the integrity of bamboo, the cleanness and self-discipline of bamboo, and the clandestine iron skeleton of bamboo. They would rather not bend. It can be seen that Mr. Gaoyan can deeply feel his bamboo nature.

Mr. Gaoyan's bamboo landscape painting is green and straight, with a strong artistic flavor. It is an excellent choice whether it is used for home decoration or collection and gift giving!

——Chinese painting and calligraphy critic sang Gan